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Kaô Kabeisilê: An Iconic Criticism of the Ceremonial Staff, Oxé Xangô.
Zainabu Jallo In Conversation with Adenike Cosgrove founder of ÌMỌ̀ DÁRA, a resource platform where collectors, dealers and scholars of...
1,037 views
![On Visual Art and Diasporic [un]Consciousness](https://static.wixstatic.com/media/84ef9c_957e9125b9dc48539f3b879b734007ac~mv2.png/v1/fill/w_454,h_341,fp_0.50_0.50,q_95,enc_auto/84ef9c_957e9125b9dc48539f3b879b734007ac~mv2.webp)
On Visual Art and Diasporic [un]Consciousness
Zainabu Jallo In conversation with Artist and Curator, Patrick Dougher. DIASPORA CHRISTIAN II Collage/ Bible Pages/Acrylic/Glitter on...
527 views

Sacred Objects and Feminine Mysticism in Yoruba Thought System.
Zainabu Jallo In Conversation with Jelili Atiku, multimedia performance artist devoted to Yoruba philosophy. Prologue I took a data...
1,388 views


Being Human, What Does that Even Mean?
"This is as true of humans as of beings of any other kind. Indeed, humans are not really beings at all but becomings"
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Does the “Sensory Turn” mean the End of Ethnographic Storytelling?
Sensory ethnographic storytelling is a defamiliarized lens towards socio-cultural phenomena.
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BETWEEN ANTHROPOCENTRIC HUMANISM AND CRITICAL POST HUMANISM.
Zainabu Jallo In Conversation with Thomas Claviez, Professor of Literary Theory, University of Bern. Prologue “When everything is human,...
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Following Multidimensional Lives of Objects.
In conversation with Carine Ayéle Durand, Chief Curator and Head of Collections, Ethnographic Museum of Geneva (MEG)
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Looking for Exú in Stuttgart.
In conversation with Sandra Ferracuti.
Curator, Africa. Linden-Museum Stuttgart.
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The Curator as Politically and Morally Sentient
A recapitulation of the CURATORIAL STUDIES WINTER SCHOOL FEB 10-15, 2020 at Hochschule der Kunst Bern With TIRDAD ZOLGHADR Organised by...
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Atabaqués: Drums of Candomblé.
In Candomblé practices, drums are dominant and highly revered instruments. Moreover, outside the confines of African-extracted religious...
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GHANDI IN THE CANDOMBLÉ COSMOS
What led to the positioning of an unfaltering Hindu alongside Yoruba divinities in an all-male public spectacle?
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Ounje- Food of the Orixás
AN ARTISTIC IMMERSION AROUND THE CUISINE AND CULTURE OF AFRO-BRAZILIAN RELIGIONS. Ounje embraces the influences of Candomblé in...
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Paul Klee`s Impressive Interpretation of the "Noxious Agents" of a Scholar.
Fighting noxious agents with five activities. Can we stick to them?
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Material Culture in Transit: an international conference (CfP)
This conference is being organised as part of the Doctoral research, "From the Sacred to the Spectacular", funded by the Swiss National...
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OBJETOS RITUALS EM TRANSFORMAÇAO CULTURAL: An Object-Based Workshop.
On a train from Zürich to Bern earlier this year, preoccupied with thoughts of the divination objects I had been examining in the...
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Candomblé in the Paintings of Djanira da Motta e Silva (1916-1979)
The different representations of Candomblé in the Paintings of Djanira da Motta e Silva.
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"If My Father is Ogum": A Ceremony
A first trip to a celebration dedicated to Ogum, the Yoruba deity of iron, war, agriculture and technology.
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ETHNOGRAPHY AS GIFT EXCHANGE
A WORKSHOP RECAPITULATION Sheldon: Wait! You bought me a present? Penny: Uh-huh. Sheldon: Why would you do such a thing? Penny: I don’t...
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